1
From: "Human Potential & Development."
Split Justification: Development fundamentally involves both our inner landscape (**Internal World**) and our interaction with everything outside us (**External World**). (Ref: Subject-Object Distinction)..
2
From: "External World (Interaction)"
Split Justification: All external interactions fundamentally involve either other human beings (social, cultural, relational, political) or the non-human aspects of existence (physical environment, objects, technology, natural world). This dichotomy is mutually exclusive and comprehensively exhaustive.
3
From: "Interaction with the Non-Human World"
Split Justification: All human interaction with the non-human world fundamentally involves either the cognitive process of seeking knowledge, meaning, or appreciation from it (e.g., science, observation, art), or the active, practical process of physically altering, shaping, or making use of it for various purposes (e.g., technology, engineering, resource management). These two modes represent distinct primary intentions and outcomes, yet together comprehensively cover the full scope of how humans engage with the non-human realm.
4
From: "Understanding and Interpreting the Non-Human World"
Split Justification: Humans understand and interpret the non-human world either by objectively observing and analyzing its inherent structures, laws, and phenomena to gain factual knowledge, or by subjectively engaging with it to derive aesthetic value, emotional resonance, or existential meaning. These two modes represent distinct intentions and methodologies, yet together comprehensively cover all ways of understanding and interpreting the non-human world.
5
From: "Interpreting Subjective Significance"
Split Justification: Humans interpret subjective significance from the non-human world in two fundamentally distinct ways: either through direct, immediate sensory and emotional engagement (e.g., experiencing beauty, awe, or comfort from nature or art), or through a more reflective, cognitive process of attributing abstract conceptual meaning, often through symbols, narratives, or existential contemplation (e.g., a landscape symbolizing freedom, an artifact representing heritage, the night sky evoking questions of purpose). These two modes are mutually exclusive in their primary focus (immediate reception versus reflective attribution) and comprehensively exhaustive, covering the full spectrum of subjective engagement.
6
From: "Direct Aesthetic and Emotional Experience"
Split Justification: All direct aesthetic and emotional experiences fundamentally manifest along a spectrum of physiological and psychological arousal. These can be dichotomized into those that are intensely stimulating and activate heightened states (e.g., awe, thrill, fear, overwhelming beauty) and those that are calming, soothing, or lead to states of reduced arousal (e.g., peace, comfort, serenity, gentle beauty, contemplative melancholy). These two categories are mutually exclusive in their primary impact on the human system and comprehensively exhaust the full range of direct aesthetic and emotional responses to the non-human world.
7
From: "Experiences of Heightened Aousal and Intensity"
Split Justification: All experiences of heightened arousal and intensity can be fundamentally differentiated by their hedonic valence: whether they are primarily felt as pleasurable, desirable, or intrinsically good, or as aversive, undesirable, or intrinsically bad. This dichotomy of positive versus negative valence is mutually exclusive and comprehensively covers the full range of intense affective responses to the non-human world.
8
From: "Experiences of Intense Positive Arousal"
Split Justification: ** Humans experience intense positive arousal either through a feeling of their individual self transcending its boundaries, expanding, or connecting with something vast, profound, or awe-inspiring (e.g., wonder, feelings of cosmic connection or sublimity), or through a profound, concentrated, and deeply personal pleasure, joy, or exhilaration that primarily centers on their internal subjective state and immediate sensory experience (e.g., ecstasy, intense delight, rapture). These two modes represent distinct subjective qualities and impacts on the sense of self, being mutually exclusive in their primary focus and comprehensively exhaustive of the full range of intense positive arousal derived from the non-human world.
9
From: "Experiences of Self-Transcendent Awe"
Split Justification: Experiences of self-transcendent awe, arising from direct aesthetic and emotional engagement with the non-human world, fundamentally dichotomize based on the primary quality evoking the transcendence. One type of awe is elicited by the confrontation with phenomena of immense, boundless, or overwhelming scale (e.g., the vastness of the cosmos, the depth of the ocean, the force of a storm), causing the self to feel tiny yet connected to something immeasurably larger. The other type of awe is elicited by the perception of profound underlying order, intricate patterns, elegant design, or intrinsic harmony within the non-human world (e.g., the complexity of an ecosystem, fractal patterns in nature, the symmetry of a crystal), leading to a feeling of deep resonance, interconnectedness, or unity. These two modes are mutually exclusive in their primary focus (vastness/magnitude vs. structure/cohesion) and comprehensively exhaustive of direct aesthetic and emotional pathways to self-transcendent awe.
10
From: "Awe from Profound Order or Intrinsic Harmony"
Split Justification: Humans experience awe from profound order or intrinsic harmony in the non-human world in two fundamentally distinct ways: either through perceiving the underlying, often static, structural principles, forms, and patterns that govern phenomena (e.g., symmetries, mathematical laws, physical constants), or through observing the dynamic, relational balance, and interdependence within complex systems that achieve harmony, function, or emergent properties (e.g., ecological balance, interconnected biological processes, systemic equilibrium). These two modes are mutually exclusive in their primary focus (inherent form/principle vs. dynamic relation/process) and comprehensively exhaustive, covering all direct aesthetic and emotional pathways to self-transcendent awe derived from order and harmony in the non-human world.
11
From: "Awe from Profound Structural Order"
Split Justification: ** Humans experience awe from profound structural order either through the direct perception of its explicit, observable manifestations in terms of geometric shapes, patterns, and symmetries, or through the cognitive understanding and appreciation of the abstract, fundamental scientific laws, mathematical principles, and constants that govern these structures and phenomena. These two modes represent distinct sources within structural order (manifestation versus underlying rule) and are mutually exclusive in their primary elicitation pathway, yet comprehensively exhaust the ways humans derive awe from profound structural order.
12
From: "Awe from Perceivable Geometric Forms and Symmetries"
Split Justification: Perceivable geometric forms and symmetries that evoke awe fundamentally originate from two distinct sources within the non-human world: those found in naturally occurring phenomena and structures (e.g., crystals, snowflakes, cellular patterns), and those meticulously crafted or designed by human beings (e.g., architecture, mandalas, intricate machines). This dichotomy differentiates the origin of the observed order, yet both pathways contribute to the direct aesthetic and emotional experience of structural awe, being mutually exclusive and comprehensively exhaustive of all perceivable geometric manifestations.
✓
Topic: "Awe from Human-Designed Geometric Forms and Symmetries" (W6410)